The digital collage combines footage of the electrical obsession and consumption of various global cities with profound waterfront skyline. The work examines the role of energy consumption in relationship to other modes of consumptive practices such as mass-tourism and desires for the ‘integrated spectacle’ that imposes itself globally in Guy Debord’s 1988 Comments on the Society of the Spectacle.

Exhibited as an exterior projection at the Brooklyn Museum in 2007 for the ‘The Water and Light Project,‘ where designers, architects, artists working with local environment, ambience, architecture and acoustics create a shared experience.